Hazelthorn by C. G. Drews is a Gothic tale complete with the classics, a crumbling mansion, mysterious atmosphere, and creepy family members, and modern trappings such as a queer romance, botanical body horror, and being othered - so, yes, it is right up my alley.

The House Saphir by Marissa Meyer is a thrilling reimagining of the Bluebeard story with a tough, funny heroine and filled with magic, romance, and all the gothic-y goodness of the folktale that inspired it.

The Everlasting by Alix E. Harrow is a thrilling, time-traveling fantasy adventure about the lust for power and the power of love, about heroes and villains, about history and mythology and the stories we tell and how those stories change us and the world. 

One of Us by Dan Chaon explores themes of the self, otherness, found family, and what it means to live and die in the trappings of a thrilling adventure novel.

The October Film Haunt by Michael Wehunt is “it’s going right back in my TBR so I can read it again” good. It’s scary, funny, the characters are so real, you feel like you’re right there with them, maybe you were even part of the original October Film Haunt because you, too, always assume that you’re living in a horror movie where you don’t take your eyes off the doll as it could come to life at any moment, you do not say Bloody Mary or Candyman in the mirror because you’re no dummy, and you make a wide berth around that that tree because it could be the Pine Arch Creature.

I couldn’t find any confirmation on the interwebs whether avuncular marriage was normal for the place and time, but their flirtation felt icky to me, though I got no indication from the text that this was an issue. 

As the very good boy and at least part Australian cattle dog (just like my old girl Laika, also rescued from a shelter) alerts them almost immediately, evil is afoot.

What I got that I was expecting: dark comedy and vampires

What I got that I was not expecting: family drama, characters dealing with misogyny and/or racism, and some legitimately scary and/ or tense scenes - made especially so by the amazing audio production.

She’s a Lamb is everything it promises - dark, funny, smart. What surprised me is how Meredith Hambrock makes us empathize with Jessamyn - especially since Jessamyn is fundamentally incapable of feeling empathy for anyone - even herself.

Returning to the world Travis Baldree built in Legends & Lattes is like any of the metaphors having to do with coziness - being wrapped in a warm blanket, having a cup of tea or cocoa or mulled wine or brandy, enjoying an evening by the fire in the company of friends.

As someone who unironically uses the phrase "statistically significant" in her day job several times a week, I was drawn to Lucky Day's concept, and, in true Chuck Tingle style, it delivered.

In classic T. Kingfisher style, Hemlock & Silver is filled with intrigue, adventure, surprise, and humor , sprinkled with a touch of body horror and a little romance. 

Greenteeth, told from Jenny’s perspective, is full of adventure and humor and reminds us of the importance of family - including found family.

The Library at Hellebore is like what would happen if you populated Brakebills (“The Magicians”) with gods and monsters then held a battle royale.

The Unraveling of Julia by Lisa Scottoline had everything I look for in an engaging gothic thriller - a relatable heroine, a mystery, romance, a surprise inheritance, and, as a bonus, a touch of the supernatural.

The No-End House is a haunted house escape room whose challenges are created using deepest fears from the players’ sub-consciences.

Put Mira Grant’s science in T. Kingfisher’s fantasy folk horror, and you’ll get something that approximates Wendy Wagner’s Girl in the Creek, which follows Erin who finagles a work trip to a forest in the Pacific Northwest so she can look for her missing brother.

Ten Sleep has everything I want in a weird west novel and some things I didn’t even know I wanted - part folklore, part body horror, part personal and interpersonal demons, and part Watership Down.

Part Hollywood tell-all, part rags to riches story, Cassandra appeared not to pull any punches in naming names or sharing painful memories from her life. 

Johanna van Veen has become a must-read author for me. Blood on Her Tongue has all the hallmarks of a gothic novel (twin sisters, mysterious illnesses, atmospheric castles) with 100% more body horror and a dash of spice.